Dior remains on the podium for a third consecutive quarter, consolidating the energy Jonathan Anderson has brought since his arrival. The French house operates on two simultaneous speeds: the consistency that safeguards its legacy and the friction Anderson deliberately introduces with each new instalment.
The Dior Cruise 2027 collection took Hollywood as its starting point, drawing on a Spring/Summer 1949 haute couture jacket worn by Marlene Dietrich in Hitchcock's Stage Fright. This image was woven together with the California poppy and the maison's recurring floral motifs. The collection evoked the creative dream of Los Angeles, including a set of shirts created in collaboration with artist Ed Ruscha.
As every summer, the seasonal Dioriviera line travelled through some of the world's most iconic destinations, from Capri to Bodrum, Saint-Tropez to Portofino, with presentations paying tribute to the art of slow living. The capsule collection, designed for the first time by Jonathan Anderson, draws on the coastline and on the work of Christian Bérard, an artist and friend of the founder.
And its Winter 2026/2027 campaigns trace scenes from a single universe for men and women. Photographed by David Sims, the women's images conjure dreamlike days in the French countryside among violins and delphiniums, as well as endless afternoons in Parisian cafés. Following the emblem of Parisian life, the men's campaign portrays the Dior gentleman with a free, relaxed attitude on the rooftops of the city of light.