New Spring 2026 Collections At OTTODISANPIETRO

The Chloé Spring/Summer 2026 collection marks a decisive turn under the direction of Chemena Kamali. Titled “Entre Deux”, it proposes a reflection on what the maison historically avoided: Haute Couture. This season, Kamali begins from a foundational paradox: Gaby Aghion created Chloé in 1952 by rejecting the rigidity of traditional couture, freeing women from constraint while drawing inspiration from its silhouette and meticulous savoir-faire. That tension now becomes the creative engine.

“I wanted to explore the idea of haute couture in the context of Chloé” (translated from the maison’s notes). The answer emerges in the deliberate freshness of the Chloé garments. Kamali, trained in the art of draping, abandons the sketch and works directly on the body. The result is cotton dresses in floral prints that evoke the 1950s, with pleats and enveloping folds that suggest classical couture, yet without linings or boning.

Cotton, “an ordinary fabric”, becomes a canvas that elevates the pieces. The technical grandeur of Chloé clothing dissolves into forms rendered in lightweight poplin. Archival floral prints are redrawn and updated, with coats that revive cocoon silhouettes in lighter, more enveloping versions. In the recently released campaign, this spirit is transposed to a coastal landscape where light reshapes the garments’ ethereal quality. The pieces seem to breathe, expand and contract with the waves, preserving the sense of sisterhood conveyed in the images. In 2026, Chloé does not abandon its identity, it expands it. By exploring the notion of couture from within prêt-à-porter, it places the house’s dawn in dialogue with its most contemporary era.

Loewe Spring/Summer 2026 celebrates the house’s Spanish heritage. A new chapter opens under the direction of Jack McCollough and Lazaro Hernandez, who, as devoted admirers of contemporary art, work with a focus on material, light and the energy of the Mediterranean. Their debut seeks to redirect Jonathan Anderson’s conceptual legacy towards something more human, more grounded and more sensual. If the past decade explored surrealism and conceptual experimentation, this first instalment delves into the physicality of the object, the identity of colour and the skin as a canvas of creation.

Their first show, held in Paris, opened with the saturated chromatic presence of Ellsworth Kelly as a prologue. Intense yellows and reds introduced a collection that embraced its idea of a “Spanish signature”, articulated through rich texture and a luminosity comparable to the southern sun. Within, the proposal breathed constant references to the sea: diving garments, wet hair, fitted silhouettes. Leather jackets with sculptural peplums and mini dresses constructed in hand-painted leather panels stood out, placing leather once again at the centre of the house’s discourse. Citrus tones, from vibrant yellows, oranges and reds, intertwined with greens and blues reminiscent of the Costa del Sol, arranged in ruffles and voluminous layers. Stripes appeared that evoked Andalusian jarapas without falling into literalism. The final result was tactile, vibrant and ultra-precise.

In this context, accessories acquire meaning beyond a creative debut. The Amazona 180 symbolises the anniversary of the maison founded in 1946, synthesising this new direction through a more relaxed, slightly slouchy form, a single handle, double base and a vivid, saturated colour palette.

The official campaign, unveiled this week, develops the concept of sunlight and its profound association with Spain. In a series of photographs by Talia Chetrit, the textures of the collection are heightened by the reflections of the sun’s rays. Very soon, you will be able to find pieces from the new era of Loewe at OTTODISANPIETRO.

For Sacai Spring/Summer 2026, Chitose Abe returns to the origin without repeating herself. Presented in her Paris studio, the collection carries something of an intimate return and an affirmation of her foundational vision: the beauty of the hybrid and of unfinished constructions. Abe underscores her personal vocabulary, the one she has built over more than two decades in the industry as one of the most exclusive voices on the international stage. For the first time in Spain, you can find the hybridisation of Sacai clothing at OTTODISANPIETRO women.

In this collection, the conceptual axis could be summarised in a single idea: unfinished tailoring. As one of the most complex disciplines in the industry, tailoring entails a certain mastery and skill in order to deconstruct it. To train in order to reform. Chitose Abe proposes, in Sacai, a series of pieces with visible seams, duplicated shoulders and lapels that, only through the movement of air, reveal intimate and meaningful layers. The process is exposed and demystified. In this way, the suit ceases to be a private and restrictive construction and becomes something mutable.

Classic jackets expand with peplums created from padded shoulder structures, a hybridisation now synonymous with Sacai. Cargo trousers appear, paradoxically folding into skirts, and in the process reduce the formality of tailoring. Dresses emerge from the almost atomic collision between the classic formal tuxedo shirt and an ethereal, fluid chiffon. In Sacai, there is always an apparent tension between the utilitarian and the ethereal. Between containment and release, in a debate that seems to have no end.

Denim appears in superimposed layers, rebellious and frayed. Jackets and MA-1s are layered over long, trailing dresses, ceremonial in tone, adding a sense of drama long missed in fashion. Even tweed, unravelled until it becomes a cloud-like fabric, is the product of the house’s precise and renowned textile engineering.

The collection, continuing its commercial line, reaffirmed its relationship with workwear through the Carhartt WIP collaboration. In 2026, Sacai reminds us that modernity does not always consist in inventing something new. Sometimes it consists in opening it up, tearing into its interior, and revealing the process.